![]() ![]() ![]() We’ll follow one pharaonic tomb from Luxor, Egypt across all of these platforms to have a baseline to compare the different experiences: the Tomb of Menna captured by the American Research Center in Egypt in 2019. Future blogs will investigate how virtual tours can be used to foster community engagement with local heritage workers and build online communities that are parallel and supportive to the local communities where the tours originate.įor now, since there are so many new technologies that art and heritage professionals are suddenly required to become familiar with, this blog post will survey some of the most relevant platforms and technologies. ![]() There have been some great initial studies into the impact of publishing virtual tours and 3d versions of objects, such as this one from Culture24, but the long term impact of these changes is yet to be determined. There has never been a more relevant time for publishing cultural heritage in digital 3D imaging online: since early 2020 many heritage professionals were thrown into the deep end of representing their spaces and collections virtually and engaging site visitors through these means. ![]()
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